Dying Embers out now

Dying Embers out now

Tuesday, 6 November 2018

We Were Strangers, edited by Richard V. Hirst

Two things I love so much – short stories and Joy Division. What could be better?
"We Were Strangers" is a very well presented collection of 10 short stories, all of which are inspired in some way by legendary Mancunian band Joy Division. Each story takes its title from one of their songs, but doesn't necessarily reflect that song in particular.

Nicholas Royle, a writer whose short fiction I have loved ever since I read "Archway" in an obscure collection many years back, kicks off proceedings with "Disorder". This is a fascinating opener, in which the only words used by the author are those which appear in the song itself (obviously, in a different order and multiples thereof!). The result is a dreamlike sequence, almost stream of consciousness, but with enough of a narrative to drive the story to a satisfyingly bleak conclusion. Subsequent stories are no less bleak yet powerful. "Day of the Lords" by Jenn Ashworth is a thoughtful tale about a returning serviceman and the family he has lost touch with, due to some kind of undiagnosed PTSD. "It wasn't always like this," Rick said, as if reading his mind. He gestured towards the photographs on the wall, sun-faded now, and still in their brown, gold-embossed cardboard frames from the photographer. "I was different. I was all right. Before I went out there."
Next up, "Candidate" by Jessie Greengrass is about a dystopian near-future in which citizens are used as pawns in a bizarre game: concisely realised and exactly the kind of world which could be created from the lyrics of the title song. "Insight", by David Gaffney, on the other hand, comes from left-field, in which the mysterious John Ireland is collecting garages in Macclesfield. But to what end? Then, in "New Dawn Fades" by Sophie Mackintosh, the downfall of the protagonist is plotted through a rogue computer which seems to be actively reinforcing her bizarre geographical obsessions.

"Transmission" by Zoe McLean is a graphic story (see above). It does well to capture the poetical strangeness of Joy Division lyrics and adds a new dimension to the book – although perhaps the artwork is a little too Radiohead-ish for my liking. The next story, "She's Lost Control", by Zoe Lambert, is perhaps the most predictable in the collection, but it is also one of the best. The young protagonist here suffers from fits and, understandably, she pushes back against her over-protective mother. It is set in the '70s or early-'80s – Dictaphones and Granada Reports –  but the success of the tale lies where hope and compassion are found where they are least expected. "That night, she lies in bed, a chill creeping under the duvet, her nose and fingers cold. She knows how it goes. She starts a job. Has a fit. Loses her job. She had one on her first day at Parker Bradburn's in front of a queue of customers. She was let go – too much of a health and safety danger and it upset the customers."
"Shadowplay", by Toby Litt, is a concise, ice-cold tale of pure science fiction; followed aptly by "Wilderness", by Eley Williams, which concerns an ice-rink re-surfacer. "I re-buff things for a living and gloss things over. I think about the weight of athletes obsessively, the pressure they put on the ice." A chance meeting with a balloon seller at a zoo opens his mind to the possibility of human interaction despite the ice running through his veins. But are his feelings entirely innocent?
In Louise Marr's "Interzone", the protagonist is unexpectedly successful in her quest for employment – straight from a waitressing job, she becomes a Project Manager – yet she feels out of place and unable to "play the game" in an important meeting. Her mind drifts restlessly and the city holds a fascination for her. This is a slight story, but it explores the sense of disjointedness which is reflected in many songs by Joy Division. "I thought about the railway lines outside, ranging and joining behind the station, and the old viaduct with its attenuated curve, the grass ragged and undisturbed now the rails and sleepers were gone. Instead of going back on the train I could stay in the city. I thought of walking beside the river at dusk, when the birds whistle and call over the blue water... so close to the streetlights and the traffic and the windows lit all night."
The final story in this collection is "I Remember Nothing", by Anne Billson. This comes the closest here to being an actual horror story; it is a powerfully gruesome tale of mystery, realisation and, ultimately, gore. No spoilers though!
I must admit that this kind of themed anthology rings alarm bells for me, as I tend to think that the quality of the writing sometimes loses its focus and takes a back seat to the "concept". However, I'm pleased to say that this is, primarily, a collection of fine short stories – most of which would stand up on merit in any collection. Pleasingly, it's not necessary to be a fan of Joy Division in order to enjoy this book.

Monday, 15 October 2018

Catching up on books I've read

Recently I've been looking at some of the books I've enjoyed over the past year or so – and in the process, it's made me realise just how many I've read! My project now is to re-visit some of these books in order to review them on here. It's interesting for me to ponder how much I've forgotten during that time: and also to consider how many books I've downloaded which I have not yet read. As ever, I tend to limit myself to short story collections, although there have been a few novels which I have enjoyed too. Below are a few which stand out for various reasons, but there are many more which I will add later. Some proper reviews will follow.

C.M. Muller's excellent NIGHTSCRIPT series of anthologies have become one of the highlights of the literary year. Number two contains superb stories by so many excellent writers – including Christopher Slatsky, Eric J. Guignard, Malcolm Devlin, Gwendolyn Kiste, Ralph Robert Moore, Christopher Ropes, Steve Rasnic Tem, Jason A. Wyckoff and Kurt Fawver. There are so many brilliantly strange tales here, which give the discerning reader a highly relevant snapshot of the very best of the genre. As ever, an absolute must-read. Available here

Not "strange tales" in the accepted sense, but William Trevor's THE COLLECTED STORIES showcases his singular talent for the short story. These are perfectly formed gems, encompassing everything from the humorous through the bittersweet to the macabre and the downright odd. This is a treasure trove of storytelling technique, essential for anyone interested in the noble art – and science – of writing. Available here

I love atmospheric tales, and Jayaprakesh Satyamurthy's fascinating book WEIRD TALES OF A BANGALOREAN took me by the hand directly to the sprawling, desperate landscape of the subcontinent. His unique prose brings these tales alive, seething with a combination of cultural and supernatural undercurrents. A brilliant debut collection. Available here

ROBINSON, by Christopher Petit, is a short novel which defies genre – and which gripped me the whole way through. Robinson is the bleakly enigmatic character who gradually draws Christo from the safe and stable suburbs into his world of depravity. Robinson, entering the dark netherworld of pornographic films, is convinced he can produce a masterpiece – but is there any way out for Christo, or will he be dragged into Robinson's own personal version of hell? Available here

Another winner from Tartarus Press, John Gaskin's THE LONG RETREATING DAY is a fine collection of ‘Tales of Twilight and Borderlands’, highlighting Gaskin's immaculate, scholarly writing style and his sense of the unexplained. These are stories anchored in the real world, but threatened by shadows and ghosts of the past. As good a collection of classic ghost stories as I've read for years. Highly recommended. Available here

COLD TO THE TOUCH by SImon Strantzas is a collection of character-driven, dramatic tales, which are finely wrought and ultimately successful in disorienting the reader; depositing him or her within the Arctic tundra of his own imagination. Strantzas approaches his craft from so many different angles that there is something here to satisfy most enthusiasts of the subtly strange and the horrific alike. Available here

Finally, for now, I have included THE HYDE HOTEL, edited by James Everington and Dan Howarth, a themed anthology from a couple of years back. I'm afraid it went under my radar at the time, but I have since re-visited it on my Kindle and I was hooked. The stories included within work especially well together, creating atmosphere effectively, each dark tale building on the previous one. The editors have done a fine job here both with their own wring for the collection, and with the consideration that must have gone into the choice of contributors, the stories themselves and their sequence, An accomplished achievement – satisfyingly strange and downbeat!  Available here

Wednesday, 10 October 2018

Hello again!

Well it's been a long time since my last blog entry! Things have been so busy over the last 18 months or so, with family upheavals, travel, trying to keep up my running and other non-writing related projects. I just have not had the headspace to write at all. I think, writing wise, I may have let a few people down over this recent period, for which I can only apologise and hope it's understood that it was not intentional.

So, now that things have settled down a bit I can get my mind around putting finger to keyboard again, hence this post. During my hiatus, the publisher of my first collection, DYING EMBERS, has ceased trading and so for a while my book was not available at all. Finally, I have published it myself – with an updated cover – through Stranger Designs, which is a minor project set up with a friend of mine, more of which later. So... it is on Amazon and all similar platforms once more. Also, I have acquired the remaining paperbacks (see below), which are available (via Paypal in fact) on my website if anyone is interested.

One thing I have managed to do, however, is to read. The truth is that I have probably read even more than ever over the past couple of years. What I want to do now is to make sense of the many short story collections I have enjoyed – some of which have been outstandingly good. I have taken a photograph of some of the excellent books I have read recently and that I will attempt to review; this has made me realise that almost everything I read these days is on the Kindle!

Anyhow, more of that later. I am off to the track for a run, then this evening I will watch a film I have been wanting to see for some time: "It Follows". Sounds like my kind of thing. Who knows, I may even do some film reviews soon. Watch this space!

Friday, 24 February 2017

Recommended reads of 2016 (part two)

Following on from my previous blog post about my favoured reads from the last year or so, which was my first blog post for some time, here is part two. I hope you find my choices interesting and that you might give some of these collections a go.

The Unsettling, Peter Rock's first collection of  short stories, from 2006, is one of
my books of the year. It really is unsettling. Some of these tales carry an
emotional charge which is quite a surprise: and a sense of dread which
will stay with you long after you've read them. Seriously recommended.

Gorgonaeon, by Jordan Krall (published by Dunhams Manor Press) is a fascinating
publication. It is a collection of fragments: brief moments of clarity, disparate at first, yet
upon reading they form a strange kind of whole. Surrealistic, grotesque, separate yet
cohesive: Gorgonaeon is unconventional yet a compelling read.

Subtle gore, Kafka, science fiction (or is it?), deserted highways, a weird stuffed bear...
Brian Evenson's A Collapse of Horses is a tour de force in relentless dread
and disconnect. Be prepared for a roller coaster ride through these tight,
breathless tales. If you haven't read anything by Evenson before,
I would suggest you start now!

American Nocturne, by Hank Schwaeble, is another superb Cohesion Press publication.
This collection transcends Americana and is as varied and satisfying a group of dark stories
as you will find anywhere. Schwaeble's writing is punchy and concise. This is a
must read for fans of dark fiction everywhere.

Secret Ventriloquism, by Jon Padgett. What can I say? This book is a journey
through your deepest anxieties. It's creepy. Padgett clearly has the knack to
get under the reader's skin and he takes advantage of that ability
all the way through this collection of interconnected tales of fear.This is the
first of his work I've read and I'll definitely be searching for more.

Monday, 13 February 2017

Recommended reads of 2016 (part one)

Recently I've been rather too busy with writing and other projects for very much blogging. So, to make up for it, I have decided to share just a few of my favourite reads of 2016. More later I'm sure, but for now, here they are:

The Best Short Stories of Garry Kilworth is an expansive, multi-genre collection of tales by a
master writer. There are so many great short stories here, spanning many years, including one of the
finest examples I've read: Blood Orange. If you haven't read it yet, you really should!
Jason A. Wyckoff's second collection The Hidden Back Room is every bit as good as
his first, Black Horse and Other Stories. It contains some wonderful tales,
particularly the title story, which is  satisfyingly strange indeed.
This is yet another great collection from Tartarus Press.

The New Uncanny is from a few years back, but with stories from, among others, Ramsey Campbell,
Christopher Priest, Nicholas Royle, AS Byatt and Hanif Kureishi, it's well worth a read.
One of the most memorable stories here is Ped-o-Matique, by Jane Rogers, which may well
change permanently your view about what to do whilst waiting around for delayed flights in airports!

Stories of the Strange and Sinister is a fascinating collection by a much underrated writer of strange stories.
In The Steam Room is one of Frank Baker's better known tales and is present here in all its mundane
glory. Baker wrote in a minor key and is therefore often overlooked; but but if you're a
fan of the weird I feel he's well worth a read.

Greener Pastures is a collection of Michael Wehunt's superb, left-field stories. Are they
horror, fantasy or literary? Probably a mixture of all three. They are certainly
complex, emotionally charged and grounded in a strange version of reality.

Saturday, 11 February 2017

Nightscript Vol 3 by CM Muller


I'm very pleased to announce that my short story The Other Side of the Hill will be included in CM Muller's upcoming anthology, Nightscript Vol 3. Nightscript Vol 1 and Vol 2 were superb publications and still available. Details of Nightscript 3 are available from CM Muller's website here. Below I have reproduced the full table of contents. I'm proud to have my own story featured alongside such illustrious company:

“The Flower Unfolds” — Simon Strantzas
“Downward” — Amar Benchikha
“What Little Boys Are Made Of” — Malcolm Devlin
“Grizzly” — M.K. Anderson
“Might Be Mordiford” — Charles Wilkinson
“Palankar” — Daniel Braum
“The Gestures Remain” — Christi Nogle
“House of Abjection” — David Peak
“The Undertow, and They That Dwell Therein” — Clint Smith
“A Place With Trees” — Rowley Amato
“The Familiar” — Cory Cone
“Liquid Air” — Inna Effress
“The Beasts Are Sleep” — Adam Golaski
“The Witch House” — Jessica Phelps
“On the Edge of Utterance” — Stephen J. Clark
“Homeward Bound Now, Paulino” — Armel Dagorn
“The Affair” — James Everington
“When Dark-Eyed Ophelia Sings” — Rebecca J. Allred
“We, the Rescued” — John Howard
“Twenty Miles and Running” — Christian Riley
“Something You Leave Behind” — David Surface
“Young Bride” — Julia Rust
“The Other Side of the Hill” — M.R. Cosby

Friday, 5 February 2016

Celebrating Robert Aickman

Recently, I was lucky enough to have been given a sneak preview of the forthcoming Celebrating Robert Aickman, an Anthology of Unsettled Dust, edited by Johnny Mains. My admiration for Aickman must be well known in these parts by now, so I was very excited to be given this unique opportunity.

Perhaps it's remarkable that there has not been a comprehensive publication along these lines before. Far from inhabiting the margins, as a a cult figure, Robert Aickman has become one of the few short story writers to have made the difficult transition to the literary mainstream. This has been thanks not only to his enduring influence over successful writers, such as Ramsey Campbell and Simon Strantzas, but also to media figures such as Reece Shearsmith, Jeremy Dyson and Mark Gatiss, who have helped make his legacy wider known. Aickman's shadow is indeed broad enough to cope with the increased scrutiny that this has created. This has meant that in recent years, many more people have been exposed to his remarkable 'strange stories' than would otherwise have been the case – and I'm very pleased to say that Celebrating Robert Aickman, an Anthology of Unsettled Dust can only take this further. It's a unique mixture of fascinating anecdotes and recollections of and about Robert Aickman, and new fiction inspired by the great man – written by some of the best authors of strange fiction around today. There are so many highlights in this package it's difficult to know where to start. Perhaps the most significant contribution is that of A Choice of Weapons: Robert Aickman and Tom Rolt, which is the transcript of an interview between Tom's son Tim  and Sonia Rolt. Much new light is shed upon Robert Aickman's relationship with Tom Rolt. Then, there is the very touching An Afternoon with Aickman, by T.E.D. Klein, which reveals a melancholy side to the great man's character... Robert Aickman Comes to Fantasycon by David  A. Riley consists of a fond memory from the second British Fantasy Society convention in 1976... John L. Probert writes about Adapting Aickman, commenting on various adaptations of Aickman's work for screen and radio... Richard Dalby writes of his Further Recollections of Robert Aickman... And there's an essay on Letters To The Postman by Philip Challinor. There is so much here for the Aickman enthusiast and we haven't yet delved into the new works of fiction. Among others there are stories by Simon Strantzas (The Flower Unfolds),  Lynda E. Rucker (The Vestige), Reggie Oliver (The Rooms Are High) and Steven Volk (The House That Moved Next Door). This feast of the Aickmanesque is topped off by In Conversation With Ramsey Campbell, in which editor Johnny Mains chats to Ramsey about all things Aickman. In addition to all this and more, there are many interesting photographs, images and contemporary clippings.
What more could the Aickman enthusiast want?
Johnny Mains has done a great job with this publication, and was very kind to let me read it at this early stage. Although still in draft, I've seen enough to be sure that Celebrating Robert Aickman will be a superb publication and a worthwhile addition to the library of anyone interested in Aickman or his rich and varied legacy.